like Gillray, Rowlandson, and Cruikshank featured prominently. The opening of the book introduces the subject of caricature, defining it as an exaggerated portrayal that conveys popular opinion and sentiments of the era. Everitt discusses the shift in style and spirit of English caricatures, noting how earlier works were characterized by coarseness typical of the last century, while later caricaturists like John Doyle and his successors refined and transformed the art into a more sophisticated form. He asserts the relevance of these artists in understanding the political narratives of their time, particularly regarding figures like Napoleon and the socio-political changes happening throughout the 19th century. (This is an automatically generated summary.)